Despite being locked away in the lab this summer putting the finishing touches on his hotly-anticipated second album, our golden boy St. Lucia‘s still managed to find the time to throw some occasional remix flames into the atmosphere, first with his radioactive “FROOT” remix for Marina and now with his supermassive take on Joywave‘s “Somebody New”. Already firmly established as one of the most consistently impressive remixers in the game, St. L takes “Somebody New” and flips it into something new entirely, a futuristic ’80s rooftop heater chock full of his trademark coming-of-age synths and pulsing emotional gravitas. Dive in below and be sure to catch Joywave on tour this fall.
Longtime Rudimental collaborator and 3x karate world champion, Anne-Marie kicked off a promising solo career last month with “Karate”, and today rolls out a sterling sophomore offering in “Gemini”. Picking up exactly where her debut left off, it’s all twinkling keys and pulsing, future classic synths that stir and swell every buried emotion. Exquisitely produced by Two Inch Punch, Anne-Marie’s first two outings stand strong as a bonafide one-two punch of their own, and she’s got us all ears waiting to see what’s next. Preorder her forthcoming Karate EP right HERE ahead of it’s July 10th release.
Shadowcat LA newcomer Elohim first stole our heart or so back with her summer silencer debut single, “She Talks Too Much”. Today, she steps out further with her first ever remix courtesy of BECOME, a brand new outlet from the equally mysterious EXGF collective. A warped remigination of the original, it slices it up and rockets it to another dimension, leaving Elohim’s cherubic pipes to shine under the ceiling of the stars. Get lost in her constellation below.
We’ve been along for the MS MR joyride from the very beginning (or more accurately, from way way way before the very beginning). With a hotly-anticipated sophomore album How Does It Feel now on the way and the first two cuts off it – “Painted” and “Wrong Victory” – already burning up the internet, our in-house superstars return today for the trifecta. Already a live favorite, the title track charges into the unknown like a call to arms with a supersonic singalong chorus for the ages, coming in loud and clear in all its fist-pumping glory. It’s arguably the record’s single-most triumphant moment, and there’s more where from that came from coming in hot July 17th. Get your preorder in HERE now.
As you already know, last Thursday marked our final Popshop of the Westway era (RIP), and next month we’re crossing the bridge to our favorite bar in the world, Baby’s All Right. Our first Popshop Baby’s kicks off next month with HOLYCHILD‘s Brooklyn headline debut (tix still available HERE), but we’re not stopping there. Keeping things rolling into the dog days of summer, we’ve got the feel-good maestro himself, Darwin Deez, making his triumphant return to the NYC live scene August 26h – a very #rare Wednesday night throwdown – with support by local heatseekers Strange Names and much much more. It’s all going down August 26th with advance tickets now on sale HERE but likely to go fast, so don’t sleep NYC.
Since taking their first steps into the world with us on their debut Wings 7″ so many moons ago, HAERTS have steadily cemented their place in the Neon Gold pantheon with each subsequent release, right up through their self-titled debut LP last year. But today marks a new high water mark for band, as they unleash previously unreleased beast “Animal” upon the world.
Recorded with St. Lucia during their debut album sessions in Nashville, “Animal” is a song that the band has always loved, but one they felt didn’t fit the overall aesthetic of the LP. According to HAERTS, “‘Animal’ was inspired by a short video clip we saw at a movie theater. The clip showed an underwater scene of sea creatures moving around each other in some sort of crazy dance. During the writing and production process, the song took on a life of it’s own, but we always felt that there was something animalistic about it and the title is still referring to that initial image.” Unleash the beast above, this is one you won’t want to miss.
Tove Lo fell from heaven to give us the pop masterpiece that is Queen of the Clouds, and it’s truly been the gift that keeps on giving, feeling more like a greatest hits set than a debut album with each passing single that scales the charts. Hot on the heels of her 3x platinum debut single “Habits” and sophomore stunner “Talking Body” (currently #12 and climbing) – not to mention her Top 40 Alesso collaboration “Heroes” – Tove keeps things rolling today with her latest smash offering “Timebomb”. Directed by man-of-the-monment Emil Nava, it’s one of her biggest and best clips to date, and “Timebomb” looks to have all the makings of yet another chart-toppling hit from the Swedish powerhouse. Don’t miss Tove live on Conan July 1st and mark your calendar for her continent-wide Queen of the Clouds tour this fall hitting The Wiltern in LA, Terminal 5 in NYC and everywhere between.
Kiiara just rocked up and set the whole damn world on fire with her debut single “Gold”. With Felix Snow going full flex on production, the Illinois native comes through with a certified solid gold stunner on her first outing, like a fiery cross between Kate Boy and MØ. It’s a darkhorse contender for pop debut of the year with a menacing backbeat to match and a chopped-to-infinity chorus that just doesn’t quit. Come on and feel the Illinoise below.
We first came across BLEITCH a few months back with the glorious “Paint By Numbers” and today, we’re excited to premiere their latest and greatest, “Crime”. As it spirals awake like a sinister daydream growing lucid, the megaton chorus shatters all sense of reality, like the highs of M83 meeting the lows of Allie X with a dash of MS MR. See for yourself below.
We’ve been on the HUNTAR train for a minute now, since he first surfaced with his breathtaking debut Bitter last year. Most recently, Annie Mac premiered the 21-year old South Londoner’s latest, “Autumn”, a crisp seasonal anthem that’s impossible not to Fall for. Opening up innocuously enough with a drizzle of strings and a fizzle of melancholy, it all goes a bit tsunami as the chorus washes over you with major waves. Falling somewhere between futuristic R&B and club emo, it’s like a heartbroken Flume or Lido going through a phase of heavy self-medicating. Take the pain away below.